Theme And Character Jd Salinger Essay Research free essay sample

Subject And Fictional character: Jd Salinger Essay, Research Paper Subject and Fictional character Since the beginning of clip there have been one million millions of books written. From those books have come novels. From the novels have come chef-doeuvres. From the chef-doeuvres have come critically acclaimed rubrics. From those critically acclaimed rubrics have come classics. Classics represent the highest acknowledged criterion of authorship. The inventiveness of their literary elements is faultless. A authoritative will animate, machination, edify, and more significantly pull the reader into the universe of the writer. J. D. Salinger # 8217 ; s The Catcher In The Rye provides an confidant glance into his life at the clip of the narrative. The narrative portrays Holden Caulfield # 8217 ; s trip to New York for three yearss, entirely, at the age of 16. In kernel, Holden Caulfield is J. D. Salinger whose matchless illustrations of mirrored word picture provide this glimpse. The intent of this paper is to compare and measure literary unfavorable judgments refering to the subject and character of The Catcher In The Rye. We will write a custom essay sample on Theme And Character Jd Salinger Essay Research or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Of the two literary elements open for unfavorable judgment, subject is the least discussed, but most clearly represented constituent. The critics agree on the individual implicit in subject found in The Catcher In The Rye. First, Mollie Sandock feels that the subject is Holden Caulfield # 8217 ; s coming to footings with his inability to salvage his sister from # 8221 ; # 8216 ; falling over the drop # 8217 ; into the grownup universe, so much of which disgusts him # 8221 ; ( Sandock 621 ) . A 2nd critic provinces that the subject of the novel is Holden # 8217 ; s coming to footings with his inability to salvage all of the kids from toppling over the border ( Gallic 515 ) . For this authoritative, minimum treatment was able to convey the lucidity of the subject for The Catcher In The Rye. The Catcher In The Rye certifies Sandock # 8217 ; s and French # 8217 ; s observations on the subject. Sandock and French are accurate in stating that the subject of the authoritative is Holden Caulfield # 8217 ; s coming to footings with being unable to salvage his sister, Phoebe, or all the kids, from # 8220 ; falling over the cliff. # 8221 ; The base of proof of the subject is, # 8220 ; When I was coming out of the can, right before I got to the door, I sort of passed out. I was lucky, though. I mean I could # 8217 ; ve killed myself when I hit the floor, but all I did was kind of land on my side, It was a amusing thing, though. I felt better after I passed out. I truly did # 8221 ; ( 204 ) . This was Holden # 8217 ; s autumn over the drop. He is evidently unable to catch himself and has now crossed over into the grownup universe. Further confirmation of Holden # 8217 ; s autumn follows when he encounters Phoebe after go forthing the bathroom. Phoebe requests permission to go west with him. With that, Holden grabs Phoebe hard and tells her to close up. In answer, Phoebe tells Holden to close up. An angered Phoebe so runs across the street, go forthing Holden entirely on the other side ( 206-208 ) . The street embodies the separation that has now formed between the kid, Phoebe, and the immature grownup, Holden. The last voucher of the subject is, # 8220 ; All the childs kept seeking to catch for the gold ring, and so was old Phoebe, and I was kind of afraid she # 8217 ; d fall off the goddam Equus caballus, but I didn # 8217 ; Ts say anything or make anything. The thing with childs is, if they want to catch for the gold ring, you have to allow them make it, and non state anything. If they fall off, they fall away, but it # 8217 ; s bad if you say anything to them # 8221 ; ( 211 ) . This is where Holden can be seen talking from a new position. He has become an grownup and now understands that childs must be allowed to hold certain experiences in order to larn. When Holden chooses non to forestall Phoebe from making for the gold ring he has, in consequence, relinquished his desire to be a backstop in the rye. For this ground, Holden # 8217 ; s coming to footings with his inability to salvage all the childs, or even Phoebe, is the subject supported by this authoritative. Fictional character is the major constituent of The Catcher In The Rye. In this instance the critics possess different point of views of Holden Caulfield. First, Thomas Taylor feels that Holden Caulfield # 8217 ; s relation of the narrative brings forth a feeling of him being the lone character nowadays in the novel. Outside facts about Caulfield # 8217 ; s being are non even one time every bit pressing as the complete vision exposed by the character # 8217 ; s personal thoughts about the # 8220 ; phony # 8221 ; planet on which he resides. The recognizable trait of acknowledging shams has earned the character a alone place in authorship ( 260 ) . Second, Sandock observes that Holden senses a # 8220 ; scathing, disking disgust # 8221 ; about the # 8220 ; hypocrites # 8221 ; who seem to do Holden experience that he is being suffocated by them. He is # 8220 ; disgusted with the deficiency of earnestness and the advertizement of hypocrites, hot shootings, dorks, assholes and id iots # 8221 ; less than he is disgusted with the # 8220 ; phoniness that is excellence corrupted # 8221 ; ( 620 ) . Last, Lundquist adds a concluding position of Holden Caulfield by stating, # 8220 ; The manner ( he ) sees the universe is stated in the novel # 8217 ; s most celebrated line, # 8216 ; If you had a million old ages to make it in, you couldn # 8217 ; t rub out even half the # 8220 ; *censored* you # 8221 ; marks in the universe # 8217 ; # 8221 ; ( 519 ) . Therefore it can be seen that Holden Caulfield # 8217 ; s character is the major constituent in The Catcher In The Rye. This authoritative supports Taylor # 8217 ; s, Sandock # 8217 ; s and Lundquists # 8217 ; s perspectives on Holden Caulfield # 8217 ; s character. Taylor # 8217 ; s observation that Holden P ossesses a alone ability to observe # 8220 ; hypocrites # 8221 ; is substantiated in The Catcher In The Rye. In this authoritative Holden Caulfield rapidly discovers that Pencey Prep, the private male child # 8217 ; s school he attends, is bogus. Pencey Prep claims that it molds the young person. However, Holden knows otherwise. # 8220 ; They don # 8217 ; t do any more damn casting at Pencey than they do at any other school, # 8221 ; remarks Caulfield after explicating Pencey # 8217 ; s magazine ads. Pencey # 8217 ; s advertizements featured a # 8220 ; hot-shot cat on a Equus caballus jumping over a fencing. Like as if all you of all time did a Pencey was play polo all the clip. I neer even one time saw a Equus caballus anyplace near the topographic point # 8221 ; ( 2 ) . Another illustration in support of Caulfield # 8217 ; s acknowledgment of # 8220 ; hypocrites # 8221 ; occurs when Holden is at a dark nine. The nine # 8217 ; s piano participant is adding hard forms to his music . Holden can feel that the piano participant has played for so long that the participant does non even cognize when he plays good. When the piano participant concluded his presentation he gave a # 8220 ; really hypocrite, low bow. Like as if he was a helluva low cat, besides being a terrific piano participant. It was really phony-I mean him being such a prig and all # 8221 ; ( 84 ) . Following, the authoritative confirms Sandock # 8217 ; s perspective that Holden feels he is being suffocated by # 8220 ; phonies. # 8221 ; Support for this observation occurs when Holden is on a day of the month with Sally. During his day of the month, a cat tries to steal Sally. # 8220 ; His name was George something-I Don # 8217 ; t even remember-and he went to Andover # 8230 ; .He was the sort of a hypocrite that have to give themselves room when they answer person # 8217 ; s inquiry # 8230 ; .The worst portion was, the dork had one of those really bogus, Ivy League voices, one of those re ally tired, clannish voices. He sounded merely like a miss. He didn # 8217 ; t hesitate to tusk in on my day of the month, the asshole # 8221 ; ( 127-128 ) . Overabundant support of Holden # 8217 ; s asphyxiation by hypocrites is demonstrated when he Tells Phoebe the ground he hates Pencey Prep. The rationalism that Holden gives is that there were so many hypocrites to populate with during the school twelvemonth it had been the worst school he had of all time attended. The # 8220 ; hypocrites # 8221 ; included both pupils and instructors ( 167-168 ) . Finally, The Catcher In The Rye supports Lundquist # 8217 ; s perspective that Holden Caulfield # 8217 ; s position of the universe is found in the authoritative # 8217 ; s most celebrated line, # 8220 ; If you had a million old ages to make it in, you couldn # 8217 ; t rub out even half the # 8216 ; *censored* you # 8217 ; marks in the universe # 8217 ; ( 202 ) . This statement clearly shows that in Holden # 8217 ; s view There is no placid and pleasant topographic point left in the universe. That # 8217 ; s The whole problem. You can # 8217 ; t happen a topographic point that # 8217 ; s nice and peaceable, because there isn # 8217 ; t any. You may believe there is, but one time you get at that place, when you # 8217 ; re non looking, person # 8217 ; ll mouse up and compose # 8220 ; Fuck you # 8221 ; right under your olfactory organ. Try it sometime. I think, even, if I of all time die, and they stick me in a graveyard, and I have a gravestone and all, it # 8217 ; ll say # 8220 ; Holden Caulfield # 8221 ; on it and so what twelvemonth I was born and what twelvemonth I died, and so right under that it # 8217 ; ll say # 8220 ; Fuck you. # 8221 ; I # 8217 ; m positive, in fact ( 204 ) This authoritative thoroughly, corroborates the point of views of Holden Caulfield, the character in The Catcher In The Rye. In decision, the inventiveness of J. D. Salinger # 8217 ; s subject and character in The Catcher In The Rye machinations, enlightens, inspires and draws the reader into the universe of the writer. The individual subject presented requires the reader to believe in order to pull out it from the novel # 8217 ; s many events. The character, Holden Caulfield, is a mirrored projection of J. D. Salinger. Caulfield allows the reader a glance at Salinger # 8217 ; s recluse life. # 8220 ; Every pupil of mine who has read Catcher In The Rye ( which includes those of low, mean, and high intelligence ) has readily identified himself with its hero, Holden Caulfield. They see in him, non the ideal immature adult male, but a immature adult male in hunt of himself, in hunt of his topographic point in the human strategy of things, and in struggle with the narrowness of the society in which he lives. Students come off from the book with a better apprehension of themselves and with a deeper incursion into American life # 8221 ; ( Alley 16-17 ) . If a book is capable of these things, if it has the ability to fascinate, inspire, enlighten, draw the reader into the universe of the writer, supply a glance of a hermit # 8217 ; s life, and unveil a better apprehension of one # 8217 ; s self, the book is no longer entirely a book, a novel, a chef-doeuvre, or a critically acclaimed rubric. It has earned the award and prestigiousness of being labeled a authoritative. Alley, Alvin D. # 8220 ; Alvin D. Alley. # 8221 ; Holden Caulfield. Ed. Harold Bloom. New York: Chelsea House Publishers, 1990. Gallic, Warren. # 8220 ; The Catcher In The Rye. # 8221 ; Contemporary Literary Criticism. Vol. 12. Ed. Dedria Bryfonski. Detroit: Gale Research Company, 1980. Lundquist, James. # 8220 ; The Catcher In The Rye. # 8221 ; Contemporary Literary Criticism. Vol. 12. Ed. Dedria Bryfonski. Detroit: Gale Research Compaby. 1980. Salinger, J. D. The Catcher In The Rye. New York: Bantam Books, Inc. , 1986. Sandock, Mollie. # 8220 ; Catcher In The Rye. # 8221 ; Reference to American Literature. Ed. D.L. Kerkpatrick. 2nd erectile dysfunction. Chicago: St. James Press, 1982. Taylor, Thomas J. # 8220 ; The Catcher In The Rye # 8221 ; American Fiction Series. Ed. Frank N. Magill. Englewood Cliffs: Salem Press, 1986.